sociologist at the prestigious, world-renowned London School of Economics and who is, it seems, known for "criticising feminist assumptions about employment" it says in her Wikipedia profile: No doubt Hakim's proud of that fact, as any right-wing thinking woman should be. One also wonders whether Hakim wrote the copy for it, or just had one of her devoted disciplines write it, with her permission?)
My review here is a type of Russian nesting doll-in-a-doll set, in that I'm critiquing both Odone's own women-denigrating review of the book in The Daily Telegraph; a book which in itself comes across as equally women-denigrating, sexist-supporting, anti-women, by Hakim in Honey Money.
A few years ago I saw Cristina Odone a couple of times on the serious talk-panel programme, Question Time on the BBC, and I thought then: well, clearly she's a hardcore conservative; unsurprisingly —not a good thing, in my view. In fact, she reminds me a lot of David Starkey, the historian whose expertise is the Tudor period, is a bestselling author and popular presenter of his own TV series based on his own bestsellers and — unfortunately — is often invited to spout right-wing nonsense on TV about issues in modern society.
Odone comes across as an intelligent person, but she seems to have zero emotional IQ and certainly no empathy for those she judges: take the recent furore she just caused over her criticism of NHS nurses on Question Time on 14th April 2011, and in her follow-up blog comments the next day in The Daily Telegraph. As if NHS nurses are in charge and to blame for the way the NHS operates. I'd love to see Odone, no doubt on a great salary and living happily in a beautiful home, try being a nurse just for a day. I suspect she may be prepared to revamp her comments radically in favour of the difficulties and challenges and stresses all of them face. But then, maybe NHS nurses, along with any other woman who happens to be hardworking in a poorly paid job, need only take heed of the counsel dished out to women in Honey Money by Hakim: just use your 'erotic capital' and voilà, you may find a rich man, but certainly life will become easier because men will treat you better. The whole Waldorf Salad-enchilada-Nine-Frickin-Yards fandango. So that's how to be successful as a modern woman of the Noughties! Wow! Who thought it could be so utterly straightforward as that. All you need to do is "smile", maybe wear high heels, dress in body-shape-enhancing clothes, use a certain appealing tone of voice and — oh! — please don't worry if you or others think you're not pretty; no, says Hakim, erotic capital is really all about your attitude.
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| Eva Longoria, here as a Stepford Wife in © Desperate Housewives; a male fantasy sexist man's dream version of the perfect woman. Or (no ref to Longoria — rather this idealised woman'!): "Can I get you suds with that, big boy? Or maybe a sprinkling of Erotic Capital from my Hakim Honey Money Pot?" |
In Levin's novel, the men's sexist attitudes have led to their desire for and then creation of 'the perfect woman' in an equally perfect, secluded gated community. The robotic-type women are always smiling, the perfect hostess, submissive, forever wanting to please her man and doing so, at his bidding, and most of the time before it. I think this all sounds remarkably similar to what Hakim is advocating in her book and Odone endorses, though both may argue otherwise, namely: A woman should always please the men in their lives, whether co-worker, boss or husband, potential partner or just a guy serving you in a shop or wherever else. Give him a smile, be demure, flutter your eyelids. Paint your face. Massage his tense shoulders from being stressed at being a man in the modern age. Just glow with your erotic capital, m'dear, then all will be well in your world. I mean, jes*sus H frickin unbelievable that this sort of vomit-inducing nonsense is being spouted by a senior academic at one of the leading British universities and is further endorsed by Odone and her absurd statements. Take one such example of Odone, where she says Hakim is:
Who on earth can she possibly be thinking of who is in real life at all like this "masculinist", as she defines it; who, to take her metaphor seriously, even metaphorically dresses/acts/speaks like this — and with a shaved head, too! My goodness, but they must be female monsters, foaming at the mouth, head-butting charming men (for there is no other kind), with their extraordinary women's ambitions! (And even if some women did really dress like that, and really have a shaved head, that Odone wasn't writing metaphorically well — who fricking cares — aren't they still women, with rights and voices to be heard?!)at her best when she provides a refreshing antidote to the boiler-suited, shaved-head thinking that keeps masculinists from reflecting ordinary women’s ambitions
I suppose this is Odone's pathetic attempt at being witty - but at the expense of whom? Women who speak up and challenge the sexist status quo, that's who. God forbid that a woman, to cite Rebecca West, differentiates herself from a doormat; suddenly you'll be thought of as being shaven-headed and boiler-suited in your attitudes. Ah, but her metaphor also is a criticism of any woman who doesn't use her femininity to her advantage, be at work, home or elsewhere; if you aren't, the metaphor seems to imply that you must be a pastiche for a guy; a fake female; even a fake sort of guy (perhaps not so oddly, I'm suddenly reminded of Lady Gaga's exhaustively relentless efforts at being radical/leading, when in fact she copies her idols and tiresomely takes on an easy target, i.e., the traditional, Catholic religion (Madonna), or attempts sad nonsense in the form of Joe Calderone, her alter-ego (that link will take you to a fantastic critique by "Robin", an assistant professor in the Philosophy Department at UNC Charlotte, USA; there's also an entertaining critique/review of Calderone's performance in an LA Times blog. BTW, don't get me wrong — I'm not saying I think Gaga is without talent; far from it; some of her early songs were great in The Fame Monster and showed she merited her fame and success; especially via Poker Face and Bad Romance, her videos of those songs and her amazing costumes).
The assumptions made by Odone are sexist in themselves, derogatory, and a stereotypical portrayal of what she seems to think is a woman who, otherwise, to quote Rebecca West, differentiates herself from a doormat; i.e., a feminist who, by definition, speaks up and challenges the status quo. I don't know who's more ignorant of the status quo — Hakim or Odone. As an academic, Hakim really has no excuses; I'm sure of that. In the book review, Odone talks about the gratitude felt towards feminists for "getting rid of sex discrimination", but clearly she's clueless that one such fundamental part of sex discrimination that remains rife and is a global issue, is gender pay disparity. On this alone, there is a mass of research and reports readily available for anyone who has access to the web.
On the subject of pay disparity, then, since it is important and that discrimination continues to be faced by the majority of women in the workplace across the globe, despite the backing of their rights in most if not all Western countries through legislation for equal pay, such as with the UK's 1970 Equal Pay Act. So here are a few research reports to illustrate how rife such discrimination is: A Google search alone brings up a wealth (sorry for the pun) of pay disparity reports/material, see here. There's also the World Economic Forum's Global Corporate Gender Gap Report 2010 and, as one example into a specific, global major industry, financial services, and produced by the UK's Equality and Human Rights Commission, there's a 2009 pulished Sex Discrimination and Gender Pay Gap Report (that link is just for the press summary of the report; but you can also find the full report on the site, too; and there's a fascinating 2011 report from the same organisation, this one on women being passed over for top jobs - just click here).
As anyone who is even half-awake about the realities of the world knows, sex discrimination is far from over and Hakim's Honey Money and Odone — far from celebrating women and helping to challenge sex discrimination, objectification of women and trivialisation of them by the appalling notion of "erotic capital" — reinforce such objectification, discrimination etc. (And you can just see the consequences of Honey Money thinking in the City/Wall Street/the financial services industry, or frankly any other male-dominated workplace. Such trivialisation will go down a treat with the guys in power/control, over women who work with or for them, as the women will be at the mercy of their being charged with using "erotic capital", when in fact the women are being sexually harassed by the men.
"I'm not guilty, m'Lud - she was using erotic capital on me, so I couldn't help but rub my genitals against her bum in the office. She made me do it - she wanted it, when she smiled at me in that way, massaged my shoulders and gave me a metaphorical BJ.")Most people, I reckon, unfortunately, have enough to contend with: either being in crap jobs, if you're fortunate enough to have a job in the first place and, with women, they have the double-edged sword facing them unlike the majority of men, even now in the Noughties, given most still do all or most of the shopping/cleaning/cooking as well as be a co-wage-earner. Hakim and Odone point to such hardships and argue that was it worth it for feminists to win the fight to the right to work, rather than be pigeon-holed into stay-at-home-mums only. But surely one of the key points of feminism wa and is to make sure equal access to all industries and all jobs available, just as it is to make sure such access to education and equal pay, based on talent, qualifications and experience. Whereas Hakim seems to be saying that adopting a Honey Money attitude towards the men in your life - and Odone clearly endorses this view in her book review - will likely give you a far better chance at a better quality of life than the misery of modern work. Why golly gee - you could probably be lifted off your feet by a rich, dashing, non-gay Rock Hudson, and escape from the drudgery of common working life. But I think we can count such women on one hand, or perhaps one digit, unless you watch the rich women in Orange County and/or already happen to be rich.
Ultimately, Honey Money's credo, its advocacy of erotic capital, will be seen for what it is: a sexist revisionism of genuine women's rights and self-empowerment— the Empress's New Clothes, to paraphrase the cliché. It is intellectually dishonest, morally bankrupt thinking that wholeheartedly pejorative towards women; it is, therefore, explicitly anti-feminist,anti-women's rights in the workplace (to be treated as an equal to men, not to be slathered over because of flirting with them), and echoes back to a denigrating time, culture and thinking that is, at most, pre-1980s, and frankly smacks, as indicated earlier, of the 1950s and before. I'm reminded of an age-old sexist chant by men, typically drunk when they sing it, that would agree wholeheartedly with the essence of Hakim's and Odone's arguments. Namely, it seems to me,whether you use your body, tone of voice, eye contact or some such other, you are effectively doing what supposedly funny but only pathetic, sexist drunken men want you to do, when all they chant together at women: "Get your t*its out for the lads."As for Odone and Hakim - well, they need not worry - one's a published journalist and the other an established academic who seems to sneer at women's rights, while having her own delicious cake to eat. "Do as I say, not as I do", in other words.
So Hakim and Odone not only seem to disapprove of modern feminism, but worse, think there's no need for feminism or feminists anymore; after all there's no more "sex discrimination" ! Well, I for one don't approve of their characterisation of women as sexual Stepford Wives of this decade or any other. Talk about backwards, sexist thinking. Even shallow pop culture trivialisations of feminism for young women's consumption — by characterising women's rights as "Riot Grrrl" and, before that, "Girl Power", are genuinely more meaningful, in-depth and useful to women, young and old, than the nonsense of the reviewer and this sociologist; both of whom, via their views, bring shame to the history of women's struggle, and the women who have fought in every sense for their rights. There is nothing to celebrate in two bright women celebrating as a way to get ahead an encouragement for women to focus on their appeal to men via their own looks/consideration of them/flirting with them/body language/tone of voice/femininity. In short, god, let's say that awful phrase one more time: erotic capital. It's as if I've just swallowed a cup of cold sick thinking and writing about this. Let's hope you don't feel the same way from reading this.
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